{"id":349,"date":"2021-07-07T13:27:05","date_gmt":"2021-07-07T13:27:05","guid":{"rendered":"https:\/\/nordicsmc.create.aau.dk\/?page_id=349"},"modified":"2022-01-27T09:29:27","modified_gmt":"2022-01-27T09:29:27","slug":"nordicsmc-conference","status":"publish","type":"page","link":"https:\/\/nordicsmc.create.aau.dk\/?page_id=349","title":{"rendered":"2nd NordicSMC Conference"},"content":{"rendered":"\n<p>Shortcuts: <a href=\"#Schedule\">Schedule<\/a>, <a href=\"#hubs\">Campus Hubs<\/a><\/p>\n\n\n\n<p>The <a href=\"https:\/\/nordicsmc.create.aau.dk\/?page_id=349\">2nd Nordic Sound and Music Conference<\/a> took place <strong>online<\/strong> on <strong>11-12 November 2021<\/strong>, and was organized by the Sound and Music Computing group at the Department of Architecture, Design and Media Technology at Aalborg University, Copenhagen. The conference is <strong>free of charge<\/strong>, both for submitting authors and other attendees.<br><br>NordicSMC 2021 welcomes both scientific and music-based contributions that lie within the scope of the Sound and Music Computing (SMC) field, especially those relevant to the featured topic of this year\u2019s conference:\u00a0<br><br><strong>Interdisciplinary Perspectives on Research in Sound and Music Computing<\/strong>.<br><br>Through this topic, we aim to foster SMC research by bringing together the promising new generation of talented young researchers and students. Our goal is to provide them with the full online conference experience in the presence of some of the most renowned veterans of the field. As such, we strongly encourage submissions from PhD students, master students, advanced bachelor students and early stage researchers, although all within the SMC community are most welcome to submit and participate.<br><br>The conference will include a <a href=\"#Workshop\">hands-on workshop on the JUCE framework<\/a> with Silvin Willemsen, as well as a <a href=\"#Keynote\">Keynote by Ludvig Elblaus<\/a> and a <a href=\"#Discussion\">panel discussion<\/a> on Rigorous Empirical Evaluation of SMC Research moderated by Sofia Dahl.<\/p>\n\n\n\n<p>The full conference proceedings can be found <a href=\"https:\/\/zenodo.org\/record\/5717860#.YfJjZfXMIUE\">here<\/a>.<br><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Sponsors<\/h3>\n\n\n\n<p>The 2nd NordicSMC conference would not have been possible without the support of the following sponsors:<\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-3 wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"282\" src=\"https:\/\/nordicsmc.create.aau.dk\/wp-content\/uploads\/2022\/01\/eastnLogo-1.png\" alt=\"\" data-id=\"624\" data-full-url=\"https:\/\/nordicsmc.create.aau.dk\/wp-content\/uploads\/2022\/01\/eastnLogo-1.png\" data-link=\"https:\/\/nordicsmc.create.aau.dk\/?attachment_id=624\" class=\"wp-image-624\" srcset=\"https:\/\/nordicsmc.create.aau.dk\/wp-content\/uploads\/2022\/01\/eastnLogo-1.png 800w, https:\/\/nordicsmc.create.aau.dk\/wp-content\/uploads\/2022\/01\/eastnLogo-1-300x106.png 300w, https:\/\/nordicsmc.create.aau.dk\/wp-content\/uploads\/2022\/01\/eastnLogo-1-768x271.png 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"202\" src=\"https:\/\/nordicsmc.create.aau.dk\/wp-content\/uploads\/2022\/01\/nordforsk-vector-logo-1-1024x202.jpg\" alt=\"\" data-id=\"622\" data-link=\"https:\/\/nordicsmc.create.aau.dk\/?attachment_id=622\" class=\"wp-image-622\" srcset=\"https:\/\/nordicsmc.create.aau.dk\/wp-content\/uploads\/2022\/01\/nordforsk-vector-logo-1-1024x202.jpg 1024w, https:\/\/nordicsmc.create.aau.dk\/wp-content\/uploads\/2022\/01\/nordforsk-vector-logo-1-300x59.jpg 300w, https:\/\/nordicsmc.create.aau.dk\/wp-content\/uploads\/2022\/01\/nordforsk-vector-logo-1-768x152.jpg 768w, https:\/\/nordicsmc.create.aau.dk\/wp-content\/uploads\/2022\/01\/nordforsk-vector-logo-1-1536x303.jpg 1536w, https:\/\/nordicsmc.create.aau.dk\/wp-content\/uploads\/2022\/01\/nordforsk-vector-logo-1-2048x404.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"507\" height=\"255\" src=\"https:\/\/nordicsmc.create.aau.dk\/wp-content\/uploads\/2022\/01\/nordicSMCLogo-1.jpg\" alt=\"\" data-id=\"623\" data-full-url=\"https:\/\/nordicsmc.create.aau.dk\/wp-content\/uploads\/2022\/01\/nordicSMCLogo-1.jpg\" data-link=\"https:\/\/nordicsmc.create.aau.dk\/?attachment_id=623\" class=\"wp-image-623\" srcset=\"https:\/\/nordicsmc.create.aau.dk\/wp-content\/uploads\/2022\/01\/nordicSMCLogo-1.jpg 507w, https:\/\/nordicsmc.create.aau.dk\/wp-content\/uploads\/2022\/01\/nordicSMCLogo-1-300x151.jpg 300w\" sizes=\"auto, (max-width: 507px) 100vw, 507px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Organising Committee<\/h3>\n\n\n\n<ul class=\"wp-block-list\"><li>Prithvi Ravi Kantan (Conference chair, AAU) &#8211; <strong>prka@create.aau.dk<\/strong><\/li><li>Razvan Paisa (Conference chair, AAU) &#8211; <strong>rpa@create.aau.dk<\/strong><\/li><li>Silvin Willemsen (Conference chair, AAU) &#8211; <strong>sil@create.aau.dk<\/strong><\/li><\/ul>\n\n\n\n<p>The scientific committee for the 2nd NordicSMC conference is listed below:<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Scientific Committee<\/h3>\n\n\n\n<p>The scientific committee for the 2nd NordicSMC conference is listed below: <\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Stefania Serafin (AAU)<\/li><li>Sofia Dahl (AAU)<\/li><li>Alexander Refsum Jensenius (UiO)<\/li><li>Stefano Fasciani (UiO)<\/li><li>Roberto Bresin (KTH)<\/li><li>Ludvig Elblaus, (KTH)<\/li><li>Kjetil Falkenberg (KTH)<\/li><li>Emma Frid (KTH\/IRCAM)<\/li><li>Bob Sturm (KTH)<\/li><li>Sandra Pauletto (KTH)<\/li><li>Andre Holzapfel (KTH)<\/li><li>Henrik Frisk (KMH)<\/li><li>R\u00fanar Unn\u00fe\u00f3rsson (UI)<\/li><li>Stefan \u00d6stersj\u00f6 (LUT)<\/li><li>Vesa V\u00e4lim\u00e4ki (Aalto University)<\/li><li>Sebastian Schlecht (Aalto&nbsp;University)<\/li><\/ul>\n\n\n\n<head>\n<style>\nbutton {\n  border: none;\n  color: white;\n  padding: 8px 32px;\n  text-align: center;\n  text-decoration: none;\n  display: inline-block;\n  font-size: 14px;\n  margin: 4px 2px;\n  transition-duration: 0.4s;\n  cursor: pointer;\n}\n.button1 {\n  background-color: white; \n  color: black; \n  border: 2px solid #514A85;  \n}\n.button1:hover {\n  background-color: #211a52;\n  color: white; \n}\nh3 {\n  display: inline-block;\n  margin: 0;\n}\n<\/style>\n<\/head>\n\n<body>\n\n<h3 id=\"Keynote\"><br>Keynote by Ludvig Elblaus: Site-Specific Music: A Modelling Approach<\/h3><br>\n<form action=\"https:\/\/tinyurl.com\/NordicSMC-Keynote\" method=\"get\" target=\"_blank\">\n<button class=\"button button1\";>Rewatch Keynote<\/button> <\/form> \n<p><\/br><strong>Abstract: <\/strong>This keynote will address the practical and artistic challenges with site-specific composition, from a particular understanding of the concepts of site and model, drawing from realised pieces from the last few years. Specifically, it will look at the artistic opportunities that contemporary sound and music computing technologies can offer, such as acoustic measurements and modelling. Some compositional strategies that make use of these tools will be explored, demonstrating how the modelling approach makes it possible to write site-specific music for inaccessible and even nonexistent places. <\/p>\n\n<\/body>\n\n\n\n<head>\n<style>\nbutton {\n  border: none;\n  color: white;\n  padding: 8px 32px;\n  text-align: center;\n  text-decoration: none;\n  display: inline-block;\n  font-size: 14px;\n  margin: 4px 2px;\n  transition-duration: 0.4s;\n  cursor: pointer;\n}\n.button1 {\n  background-color: white; \n  color: black; \n  border: 2px solid #514A85;  \n}\n.button1:hover {\n  background-color: #211a52;\n  color: white; \n}\n  \n  .button2 {\n  background-color:  #211a52; \n  color: white; \n  border: 2px solid #514A85;  \n}\n.button2:hover {\n  background-color: #514A85;\n  color: white; \n}\nh3 {\n  display: inline-block;\n  margin: 0;\n}\n<\/style>\n<\/head>\n\n<body>\n\n<h3 id=\"Workshop\"><br> Introduction to JUCE Audio Plugins Workshop by Silvin Willemsen <\/h3><br>\n\n<form action=\"https:\/\/youtu.be\/k6FKFMnS38w\" method=\"get\" target=\"_blank\">\n<button class=\"button button1\";>Rewatch workshop<\/button> <\/form>\n<p><\/br><strong>Abstract: <\/strong>\nThis workshop will give an introduction to JUCE, a C++ framework specifically designed for creating audio applications and plugins. Over the course of 3 hours, we will go through the code structure of the JUCE Audio Plugin template, and create an audio effect. The goal of the workshop is to end up with a VST \/ Audio Unit which you can use in your favourite DAW, as well as the basic knowledge to continue to build your own audio plugins using JUCE.\n<br><br>\nThe workshop will take place <b>on November 11th, from 09:00-12:00 CET<\/b>. All conference attendees can join this workshop, although some programming experience is required.\n<br><br>\n<p><strong>Instructions: <\/strong>\nPlease follow the instructions below, to install all the necessary software to be able to follow the workshop. Also, be sure to bring headphones, as you might be using your microphone as an input.\n<\/p>\n<form action=\"\/wp-content\/NordicSMC\/NordicSMC_2021_JUCE_Workshop_Instructions.pdf\" method=\"get\" target=\"_blank\">\n<button class=\"button button2\";>Software-setup Instructions<\/button> <\/form>\n<form action=\"https:\/\/github.com\/SilvinWillemsen\/NordicSMC_Flanger\" method=\"get\" target=\"_blank\">\n<button class=\"button button2\";>Result: The Flanger<\/button> <\/form>\n<\/body>\n\n\n\n<head>\n<style>\nbutton {\n  border: none;\n  color: white;\n  padding: 8px 32px;\n  text-align: center;\n  text-decoration: none;\n  display: inline-block;\n  font-size: 14px;\n  margin: 4px 2px;\n  transition-duration: 0.4s;\n  cursor: pointer;\n}\n.button1 {\n  background-color: white; \n  color: black; \n  border: 2px solid #514A85;  \n}\n.button1:hover {\n  background-color: #211a52;\n  color: white; \n}\nh3 {\n  display: inline-block;\n  margin: 0;\n}\n<\/style>\n<\/head>\n\n<body>\n\n<h3 id=\"Discussion\"><br>Panel Discussion on the topic of <strong>Rigorous Empirical Evaluation of SMC Research<\/strong>, moderated by Sofia Dahl<\/h3>\n<form action=\"https:\/\/tinyurl.com\/NordicSMC-Panel\" method=\"get\" target=\"_blank\">\n<button class=\"button button1\";>Rewatch Panel Discussion<\/button> <\/form>\n<p><\/br><strong>Abstract: <\/strong>The goal of this session is to share, discuss, and appraise the topic of evaluation in the context of SMC research and development. Evaluation is a cornerstone of every scientific research domain, but is a complex subject in our context due to the interdisciplinary nature of SMC coupled with the subjectivity involved in assessing creative endeavours. As SMC research proliferates across the world, the relevance of robust, rigorous empirical evaluation is ever-increasing in the academic and industrial realms. The session will begin with presentations from representatives of NordicSMC member universities, followed by a more free-flowing discussion among these panel members, followed by audience involvement. <br>\n\n<br><strong>Participants: <\/strong><br>\n<br><strong>Alexander Refsum Jensenius<\/strong> &#8211; University of Oslo<br>\n<strong>Nashmin Yeganeh<\/strong> &#8211; University of Iceland<br>\n<strong>Roberto Bresin<\/strong> &#8211; KTH Royal Institute of Technology<br>\n<strong>Razvan Paisa<\/strong> &#8211; Aalborg University\n<\/p>\n\n<\/body>\n\n\n\n<head>\n<style>\nbutton {\n  border: none;\n  color: white;\n  padding: 8px 32px;\n  text-align: center;\n  text-decoration: none;\n  display: inline-block;\n  font-size: 14px;\n  margin: 4px 2px;\n  transition-duration: 0.4s;\n  cursor: pointer;\n}\n.button1 {\n  background-color: white; \n  color: black; \n  border: 2px solid #514A85;  \n}\n.button1:hover {\n  background-color: #211a52;\n  color: white; \n}\nh3 {\n  display: inline-block;\n  margin: 0;\n}\n<\/style>\n<\/head>\n\n<body>\n\n<h3 id=\"Session1\"><br>Session 1: Physical Modelling, chaired by Karolina Prawda <\/h3><br>\n<form action=\"https:\/\/tinyurl.com\/NordicSMC-Session1\" method=\"get\" target=\"_blank\">\n<button class=\"button button1\";>Rewatch Session 1<\/button> <\/form>\n<p><\/br><strong><a href=\"\/wp-content\/NordicSMC\/Nordic_SMC_2021_paper_42.pdf\">42 &ndash; Applied Physical Modeling for Sound Synthesis: The Yaybahar <\/a><\/strong>&#8211; Pelle Juul Christensen, Silvin Willemsen and Stefania Serafin<\/p>\n\n<p><strong><a href=\"\/wp-content\/NordicSMC\/Nordic_SMC_2021_paper_18.pdf\">18 \u2013 A Faust Implementation of Coupled Finite Difference Schemes <\/a><\/strong>&#8211; David S\u00fcdholt, Riccardo Russo and Stefania Serafin<\/p> \n\n<p><strong><a href=\"\/wp-content\/NordicSMC\/Nordic_SMC_2021_paper_4.pdf\">4 \u2013 A Real-Time Interactive Physical Model of the Langeleik using Finite Difference Schemes and Web Audio <\/a><\/strong>&#8211; David S\u00fcdholt, S\u00f8ren V. K. Lyster, Oliver B. Winkel and Stefania Serafin<\/p> \n\n<p><strong><a href=\"\/wp-content\/NordicSMC\/Nordic_SMC_2021_paper_9.pdf\">9 \u2013 Real-time Implementation of Non-linear Physical Models with Modal Synthesis and Performance Analysis <\/a><\/strong>&#8211; Alessandro Cerioli, Michele Ducceschi and Stefania Serafin<\/p> \n\n<\/body>\n\n\n\n<head>\n<style>\nbutton {\n  border: none;\n  color: white;\n  padding: 8px 32px;\n  text-align: center;\n  text-decoration: none;\n  display: inline-block;\n  font-size: 14px;\n  margin: 4px 2px;\n  transition-duration: 0.4s;\n  cursor: pointer;\n}\n.button1 {\n  background-color: white; \n  color: black; \n  border: 2px solid #514A85;  \n}\n.button1:hover {\n  background-color: #211a52;\n  color: white; \n}\nh3 {\n  display: inline-block;\n  margin: 0;\n}\n<\/style>\n<\/head>\n\n<body>\n\n<h3 id=\"Session2\"><br>Session 2: Sound Design, chaired by Adrian Benigno Latupeirissa <\/h3><br>\n<form action=\"https:\/\/tinyurl.com\/NordicSMC-Session2\" method=\"get\" target=\"_blank\">\n<button class=\"button button1\";>Rewatch Session 2<\/button> <\/form>\n<p><\/br><strong><a href=\"\/wp-content\/NordicSMC\/Nordic_SMC_2021_paper_34.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">34 &ndash; Investigating the Sound Design Process <\/a><\/strong>&#8211; Rod Selfridge and Sandra Pauletto<\/p>\n\n<p><strong><a href=\"\/wp-content\/NordicSMC\/Nordic_SMC_2021_paper_40.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">40 \u2013 The Radio Sound Studio Project <\/a><\/strong>&#8211; Sandra Pauletto, Rod Selfridge, Andre Holzapfel and Henrik Frisk<\/p> \n\n<p><strong><a href=\"\/wp-content\/NordicSMC\/Nordic_SMC_2021_paper_32.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">32 \u2013 Analysis of Concatenative Synthesis Techniques <\/a><\/strong>&#8211; Kuura Parkkola, Vili Visakorpi and Alec Wright<\/p> \n\n<p><strong><a href=\"\/wp-content\/NordicSMC\/Nordic_SMC_2021_paper_35.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">35 \u2013 Design Approaches to Alert Sounds for Interactions in Shops <\/a><\/strong>&#8211; Puspita Parahita Anindita and Kjetil Falkenberg<\/p> \n\n<\/body>\n\n\n\n<head>\n<style>\nbutton {\n  border: none;\n  color: white;\n  padding: 8px 32px;\n  text-align: center;\n  text-decoration: none;\n  display: inline-block;\n  font-size: 14px;\n  margin: 4px 2px;\n  transition-duration: 0.4s;\n  cursor: pointer;\n}\n.button1 {\n  background-color: white; \n  color: black; \n  border: 2px solid #514A85;  \n}\n.button1:hover {\n  background-color: #211a52;\n  color: white; \n}\nh3 {\n  display: inline-block;\n  margin: 0;\n}\n<\/style>\n<\/head>\n\n<body>\n\n<h3 id=\"Session3\"><br>Session 3: Music Perception &#038; Cognition, Gestural Research, chaired by Sofia Dahl<\/h3>\n<form action=\"https:\/\/tinyurl.com\/NordicSMC-Session3\" method=\"get\" target=\"_blank\">\n<button class=\"button button1\";>Rewatch Session 3<\/button> <\/form>\n<p><\/br><strong><a href=\"\/wp-content\/NordicSMC\/Nordic_SMC_2021_paper_25.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">25 &ndash;  Assessing Room Acoustic Memory using a Yes\/No and a 2-AFC Paradigm <\/a><\/strong>&#8211; Madalina Nastasa, Nils Meyer-Kahlen and Sebastian J. Schlecht<\/p>\n\n<p><strong><a href=\"\/wp-content\/NordicSMC\/Nordic_SMC_2021_paper_43.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">43 \u2013 Cochlea: Gamifying Ear Training for Cochlear Implant Users <\/a><\/strong>&#8211; Titas Lasickas, Jonas Siim Andersen, Stefania Serafin and Marianna Vatti<\/p> \n\n<p><strong><a href=\"\/wp-content\/NordicSMC\/Nordic_SMC_2021_paper_38.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">38 \u2013 Reflections on the Development of the Musical Gestures Toolbox for Python <\/a><\/strong>&#8211; B\u00e1lint Laczk\u00f3 and Alexander Refsum Jensenius<\/p> \n\n<\/body>\n\n\n\n<head>\n<style>\nbutton {\n  border: none;\n  color: white;\n  padding: 8px 32px;\n  text-align: center;\n  text-decoration: none;\n  display: inline-block;\n  font-size: 14px;\n  margin: 4px 2px;\n  transition-duration: 0.4s;\n  cursor: pointer;\n}\n.button1 {\n  background-color: white; \n  color: black; \n  border: 2px solid #514A85;  \n}\n.button1:hover {\n  background-color: #211a52;\n  color: white; \n}\nh3 {\n  display: inline-block;\n  margin: 0;\n}\n<\/style>\n<\/head>\n\n<body>\n\n<h3 id=\"Session4\"><br>Session 4: Sound Analysis, chaired by Stefano Fasciani <\/h3><br>\n<form action=\"https:\/\/tinyurl.com\/NordicSMC-Session4\" method=\"get\" target=\"_blank\">\n<button class=\"button button1\";>Rewatch Session 4<\/button> <\/form>\n<p><\/br><strong><a href=\"\/wp-content\/NordicSMC\/Nordic_SMC_2021_paper_20.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">20 &ndash; Sound Source Localization Using Sector-Based Analysis With Multiple Receivers <\/a><\/strong>&#8211; Michael McCrea, Leo McCormack and Ville Pulkki<\/p>\n\n<p><strong><a href=\"\/wp-content\/NordicSMC\/Nordic_SMC_2021_paper_17.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">17 \u2013 User Location-Based Loudspeaker Correction <\/a><\/strong>&#8211; Joel Lindfors, Juho Liski and Vesa V\u00e4lim\u00e4ki<\/p> \n\n<p><strong><a href=\"\/wp-content\/NordicSMC\/Nordic_SMC_2021_paper_33.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">33 \u2013 Improving Interpretable Genre Recognition with Audio Feature Statistics Based on Zygonic Theory <\/a><\/strong>&#8211; Igor Vatolkin<\/p> \n\n<p><strong><a href=\"\/wp-content\/NordicSMC\/Nordic_SMC_2021_paper_26.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">26 \u2013 Towards New Analysis And Visualization Software For Studying Performance Patterns in Hardanger Fiddle Music <\/a><\/strong>&#8211; Aleksander Tidemann, Olivier Lartillot and Mats Johansson<\/p> \n\n<\/body>\n\n\n\n<head>\n<style>\nbutton {\n  border: none;\n  color: white;\n  padding: 8px 32px;\n  text-align: center;\n  text-decoration: none;\n  display: inline-block;\n  font-size: 14px;\n  margin: 4px 2px;\n  transition-duration: 0.4s;\n  cursor: pointer;\n}\n.button1 {\n  background-color: white; \n  color: black; \n  border: 2px solid #514A85;  \n}\n.button1:hover {\n  background-color: #211a52;\n  color: white; \n}\nh3 {\n  display: inline-block;\n  margin: 0;\n}\n<\/style>\n<\/head>\n\n<body>\n\n<h3 id=\"Session5\"><br>Session 5: Sound Synthesis, chaired by Vesa V\u00e4lim\u00e4ki <\/h3><br>\n<form action=\"https:\/\/tinyurl.com\/NordicSMC-Session5\" method=\"get\" target=\"_blank\">\n<button class=\"button button1\";>Rewatch Session 5<\/button> <\/form>\n<p><\/br><strong><a href=\"\/wp-content\/NordicSMC\/Nordic_SMC_2021_paper_31.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">31 &ndash; Recreating the Amoeba Violin Using Physical Modelling and Augmented Reality <\/a><\/strong>&#8211; Chrysoula Kaloumenou, Sofia Lamda, Panagiota Pouliou, Marius G. Onofrei, Silvin Willemsen and Stefania Serafin<\/p>\n\n<p><strong><a href=\"\/wp-content\/NordicSMC\/Nordic_SMC_2021_paper_39.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">39 \u2013 Datatonism: Emulating Historical Instruments as a Pedagogic Exercise <\/a><\/strong>&#8211; Derek Holzer, Karolina Shi and Andr\u00e9 Holzapfel<\/p> \n\n<p><strong><a href=\"\/wp-content\/NordicSMC\/Nordic_SMC_2021_paper_11.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">11 \u2013 A Faust-built Mobile Vocoder Instrument <\/a><\/strong>&#8211; Riccardo Russo and Daniel Overholt<\/p> \n\n<\/body>\n\n\n\n<head>\n<style>\nbutton {\n  border: none;\n  color: white;\n  padding: 8px 32px;\n  text-align: center;\n  text-decoration: none;\n  display: inline-block;\n  font-size: 14px;\n  margin: 4px 2px;\n  transition-duration: 0.4s;\n  cursor: pointer;\n}\n.button1 {\n  background-color: white; \n  color: black; \n  border: 2px solid #514A85;  \n}\n.button1:hover {\n  background-color: #211a52;\n  color: white; \n}\nh3 {\n  display: inline-block;\n  margin: 0;\n}\n<\/style>\n<\/head>\n\n<body>\n\n\n<h3 id=\"Posters\"><br>Poster Session<\/h3><br>\n<form action=\"https:\/\/tinyurl.com\/NordicSMC-PosterSession\" method=\"get\" target=\"_blank\">\n<button class=\"button button1\";>Rewatch Poster Session<\/button> <\/form> \n<br>\n<p><strong><a href=\"\/wp-content\/NordicSMC\/Nordic_SMC_2021_paper_24.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">24 \u2013 A Pilot Study of Expressive Body Movement on Audio Parameters of Piano Performances <\/a><\/strong>&#8211; Wenbo Yi<\/p> \n\n<p><strong><a href=\"\/wp-content\/NordicSMC\/Nordic_SMC_2021_paper_30.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">30 \u2013 An Audio-tactile Art Installation for hearing impaired people <\/a><\/strong>&#8211; Miguel Cuadrado Sierra, Jonas Brunskog and Jeremy Marozeau<\/p> \n\n<p><strong><a href=\"\/wp-content\/NordicSMC\/Nordic_SMC_2021_paper_3.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">3 \u2013 Automatic Piano Fingerings Estimation Using Recurrent Neural Networks <\/a><\/strong>&#8211; Hongzhao Guan, Zhao Yan and Timothy Hsu<\/p> \n\n<p><strong><a href=\"\/wp-content\/NordicSMC\/Nordic_SMC_2021_paper_29.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">29 \u2013 Daisy Dub &#8211; The Playable Delay <\/a><\/strong>&#8211; Rasmus Kj\u00e6rbo<\/p> \n\n<p><strong><a href=\"\/wp-content\/NordicSMC\/Nordic_SMC_2021_paper_13.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">13 \u2013 Designing the structure of a Hybrid Conference <\/a><\/strong>&#8211; Joni Mok<\/p>\n\n<p><strong><a href=\"\/wp-content\/NordicSMC\/Nordic_SMC_2021_paper_21.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">21 \u2013 Modeling the Sound of Astronaut Voice Communications <\/a><\/strong>&#8211; Aaron Geldert and Tom Railio<\/p> \n\n<p><strong><a href=\"\/wp-content\/NordicSMC\/Nordic_SMC_2021_paper_5.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">5 \u2013 Real-time Implementation of a Physical Model of the Persian Santur <\/a><\/strong>&#8211; Simon Rostami Mosen, Oddur Ingi Kristj\u00e1nsson, Ali Adjorlu and Stefania Serafin<\/p> \n\n<p><strong><a href=\"\/wp-content\/NordicSMC\/Nordic_SMC_2021_paper_22.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">22 \u2013 SoloJam Island : a platform for rhythmic experimentation in spatially segmented multi-agent systems <\/a><\/strong>&#8211; Pierre Potel, Frank Veenstra and Kyrre Glette<\/p> \n\n<p><strong><a href=\"\/wp-content\/NordicSMC\/Nordic_SMC_2021_paper_2.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">2 &ndash; Sonification of Twitter Hashtags Using Earcons Based on the Sound of Vowels <\/a><\/strong>&#8211; Emil Myresten, David Larsson Holmgren and Roberto Bresin<\/p>\n \n<p><strong><a href=\"\/wp-content\/NordicSMC\/Nordic_SMC_2021_paper_28.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">28 \u2013 Space Walk &#8211; Visiting the Solar System Through an Immersive Sonic Journey in VR <\/a><\/strong>&#8211; \tAndrea Mancianti, Sebastian J. Schlecht, Vesa V\u00e4lim\u00e4ki, Riku J\u00e4rvinen and Esa Kallio<\/p> \n\n<p><strong><a href=\"\/wp-content\/NordicSMC\/Nordic_SMC_2021_paper_15.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">15 \u2013 tiNNbre: a Timbre-Based Musical Agent <\/a><\/strong>&#8211; Andrea Bolzoni, Balandino Di Donato and Robin Laney<\/p> \n\n<\/body>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"hubs\"><br>Campus Hubs<\/h3>\n\n\n\n<p>If you want to join other participants and attend the conference in person, some universities have local hubs where the presentations will be shown:<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Aalborg University Copenhagen<ul><li>Building A, first floor, 2.2.040A<\/li><\/ul><\/li><li>KTH Royal Institute of Technology:<ul><li><a href=\"https:\/\/www.kth.se\/places\/room\/id\/e6d61e30-d6c4-48e4-b6d4-4ee5ed784ff5\">Lindstedtsv\u00e4gen 3, floor 4, room 1440, Henrik Eriksson<\/a><\/li><\/ul><ul><li><a href=\"https:\/\/www.kth.se\/places\/room\/id\/4a1e7842-6ac4-4b92-8f0a-4729f8b92dec\">Lindstedtsv\u00e4gen 3, floor 4, room 1440, Henrik Eriksson<\/a><\/li><\/ul><\/li><li>University of Oslo:<ul><li>ZEB-building, Sem S\u00e6lands vei 2A, Group room 1 (103)<\/li><\/ul><\/li><\/ul>\n\n\n\n<p><\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"Schedule\">Schedule (times are CET)<\/h2>\n\n\n\n<table>\n<thead>\n<tr>\n<th style=\"background-color: #211a52; color: #ffffff;\"><center>Time<\/center><\/th>\n<th style=\"background-color: #211a52; color: #ffffff;\"><center>DAY 1 (11 November 2021)<\/center><\/th>\n<th style=\"background-color: #211a52; color: #ffffff;\"><center>DAY 2 (12 November 2021)<\/center><\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td>09:00<\/td>\n<td href=\"#Workshop\" ;=\"\" style=\"background-color: #277da1; color: #ffffff; cursor: pointer;\" rowspan=\"36\" onclick=\"location.href='#Workshop';\"><center> Introduction to JUCE Audio Plugins Workshop by Silvin Willemsen<\/center><\/td>\n<td href=\"#Keynote\" ;=\"\" style=\"background-color: #f94144; color: #ffffff; cursor: pointer;\" rowspan=\"12\" onclick=\"location.href='#Keynote';\">&nbsp;<center>Keynote by Ludvig Elblaus (KTH)<\/center><\/td>\n<\/tr>\n<tr>\n<td>09:05<\/td>\n<\/tr>\n<tr>\n<td>09:10<\/td>\n<\/tr>\n<tr>\n<td>09:15<\/td>\n<\/tr>\n<tr>\n<td>09:20<\/td>\n<\/tr>\n<tr>\n<td>09:25<\/td>\n<\/tr>\n<tr>\n<td>09:30<\/td>\n<\/tr>\n<tr>\n<td>09:35<\/td>\n<\/tr>\n<tr>\n<td>09:40<\/td>\n<\/tr>\n<tr>\n<td>09:45<\/td>\n<\/tr>\n<tr>\n<td>09:50<\/td>\n<\/tr>\n<tr>\n<td>09:55<\/td>\n<\/tr>\n<tr>\n<td>10:00<\/td>\n<td style=\"background-color: #211a52; color: #ffffff;\" rowspan=\"2\">&nbsp;<center>BREAK<\/center><\/td>\n<\/tr>\n<tr>\n<td>10:05<\/td>\n<\/tr>\n<tr>\n<td>10:10<\/td>\n<td href=\"#Session4\" style=\"background-color: #f3722c; color: #ffffff; cursor: pointer;\" rowspan=\"12\" onclick=\"location.href='#Session4';\"><center>&nbsp; Session 4: Sound Analysis<\/center> <center> Chair: Stefano Fasciani<\/center><br>\n<p style=\"font-size: 14px; color: #ffffff;\">20 &#8211; Sound Source Localization Using Sector-Based Analysis With Multiple Receivers<\/p>\n<br>\n<p style=\"font-size: 14px; color: #ffffff;\">17 &#8211; User Location-Based Loudspeaker Correction<\/p>\n<br>\n<p style=\"font-size: 14px; color: #ffffff;\">33 &#8211; Improving Interpretable Genre Recognition with Audio Feature Statistics Based on Zygonic Theory<\/p>\n<br>\n<p style=\"font-size: 14px; color: #ffffff;\">26 &#8211; Towards New Analysis And Visualization Software For Studying Performance Patterns in Hardanger Fiddle Music<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>10:15<\/td>\n<\/tr>\n<tr>\n<td>10:20<\/td>\n<\/tr>\n<tr>\n<td>10:25<\/td>\n<\/tr>\n<tr>\n<td>10:30<\/td>\n<\/tr>\n<tr>\n<td>10:35<\/td>\n<\/tr>\n<tr>\n<td>10:40<\/td>\n<\/tr>\n<tr>\n<td>10:45<\/td>\n<\/tr>\n<tr>\n<td>10:50<\/td>\n<\/tr>\n<tr>\n<td>10:55<\/td>\n<\/tr>\n<tr>\n<td>11:00<\/td>\n<\/tr>\n<tr>\n<td>11:05<\/td>\n<\/tr>\n<tr>\n<td>11:10<\/td>\n<td style=\"background-color: #211a52; color: #ffffff;\" rowspan=\"2\">&nbsp;<center>BREAK<\/center><\/td>\n<\/tr>\n<tr>\n<td>11:15<\/td>\n<\/tr>\n<tr>\n<td>11:20<\/td>\n<td href=\"#Session5\" style=\"background-color: #f9c141; color: #ffffff; cursor: pointer;\" rowspan=\"9\" onclick=\"location.href='#Session5';\"><center>&nbsp; Session 5: Sound Synthesis<\/center> <center> Chair: Vesa V\u00e4lim\u00e4ki<\/center><br>\n<p style=\"font-size: 14px; color: #ffffff;\">31 &#8211; Recreating the Amoeba Violin Using Physical Modelling and Augmented Reality<\/p>\n<br>\n<p style=\"font-size: 14px; color: #ffffff;\">39 &#8211; Datatonism: Emulating Historical Instruments as a Pedagogic Exercise<\/p>\n<br>\n<p style=\"font-size: 14px; color: #ffffff;\">11 &#8211; A Faust-built Mobile Vocoder Instrument<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>11:25<\/td>\n<\/tr>\n<tr>\n<td>11:30<\/td>\n<\/tr>\n<tr>\n<td>11:35<\/td>\n<\/tr>\n<tr>\n<td>11:40<\/td>\n<\/tr>\n<tr>\n<td>11:45<\/td>\n<\/tr>\n<tr>\n<td>11:50<\/td>\n<\/tr>\n<tr>\n<td>11:55<\/td>\n<\/tr>\n<tr>\n<td>12:00<\/td>\n<td style=\"background-color: #211a52; color: #ffffff;\" rowspan=\"12\"><center>LUNCH BREAK<\/center><\/td>\n<\/tr>\n<tr>\n<td>12:05<\/td>\n<td style=\"background-color: #211a52; color: #ffffff;\" rowspan=\"11\"><center>LUNCH BREAK<\/center><\/td>\n<\/tr>\n<tr>\n<td>12:10<\/td>\n<\/tr>\n<tr>\n<td>12:15<\/td>\n<\/tr>\n<tr>\n<td>12:20<\/td>\n<\/tr>\n<tr>\n<td>12:25<\/td>\n<\/tr>\n<tr>\n<td>12:30<\/td>\n<\/tr>\n<tr>\n<td>12:35<\/td>\n<\/tr>\n<tr>\n<td>12:40<\/td>\n<\/tr>\n<tr>\n<td>12:45<\/td>\n<\/tr>\n<tr>\n<td>12:50<\/td>\n<\/tr>\n<tr>\n<td>12:55<\/td>\n<\/tr>\n<tr>\n<td>13:00<\/td>\n<td style=\"background-color: #43aa8b; color: #ffffff;\" rowspan=\"3\"><center>Opening session<\/center><\/td>\n<td href=\"#Posters\" style=\"background-color: #f8961e; color: #ffffff; cursor: pointer;\" rowspan=\"3\" onclick=\"location.href='#Posters';\"><center>&nbsp; Poster Session<\/center><br>\n<p style=\"font-size: 14px; color: #ffffff;\">Papers: 2, 3, 5, 13, 15, 21, 22, 24, 28, 29, 30<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>13:05<\/td>\n<\/tr>\n<tr>\n<td>13:10<\/td>\n<\/tr>\n<tr>\n<td>13:15<\/td>\n<td href=\"#Session1\" style=\"background-color: #577590; color: #ffffff; cursor: pointer;\" rowspan=\"12\" onclick=\"location.href='#Session1';\"><center>Session 1: Physical Modelling<\/center>\n  <center> Chair: Karolina Prawda<\/center><br>\n<p style=\"font-size: 14px; color: #ffffff;\">42 &#8211; Applied Physical Modeling for Sound Synthesis: The Yaybahar<\/p>\n<br>\n<p style=\"font-size: 14px; color: #ffffff;\">18 &#8211; A Faust Implementation of Coupled Finite Difference Schemes<\/p>\n<br>\n<p style=\"font-size: 14px; color: #ffffff;\">4 &#8211; A Real-Time Interactive Physical Model of the Langeleik using Finite Difference Schemes and Web Audio<\/p>\n<br>\n<p style=\"font-size: 14px; color: #ffffff;\">9 &#8211; Real-time Implementation of Non-linear Physical Models with Modal Synthesis and Performance Analysis<\/p>\n<\/td>\n<td href=\"#Posters\" style=\"background-color: #f8961e; color: #ffffff; cursor: pointer;\" rowspan=\"12\" onclick=\"location.href='#Posters';\"><center>&nbsp; Poster Breakout Rooms<\/center><\/td>\n<\/tr>\n<tr>\n<td>13:20<\/td>\n<\/tr>\n<tr>\n<td>13:25<\/td>\n<\/tr>\n<tr>\n<td>13:30<\/td>\n<\/tr>\n<tr>\n<td>13:35<\/td>\n<\/tr>\n<tr>\n<td>13:40<\/td>\n<\/tr>\n<tr>\n<td>13:45<\/td>\n<\/tr>\n<tr>\n<td>13:50<\/td>\n<\/tr>\n<tr>\n<td>13:55<\/td>\n<\/tr>\n<tr>\n<td>14:00<\/td>\n<\/tr>\n<tr>\n<td>14:05<\/td>\n<\/tr>\n<tr>\n<td>14:10<\/td>\n<\/tr>\n<tr>\n<td>14:15<\/td>\n<td style=\"background-color: #211a52; color: #ffffff;\" rowspan=\"3\"><center>BREAK<\/center><\/td>\n<td style=\"background-color: #211a52; color: #ffffff;\" rowspan=\"3\"><center>BREAK<\/center><\/td>\n<\/tr>\n<tr>\n<td>14:20<\/td>\n<\/tr>\n<tr>\n<td>14:25<\/td>\n<\/tr>\n<tr>\n<td>14:30<\/td>\n<td href=\"#Session2\" style=\"background-color: #4d908e; color: #ffffff; cursor: pointer;\" rowspan=\"12\" onclick=\"location.href='#Session2';\"><center>Session 2: Sound Design<\/center> <center> Chair: Adrian Benigno Latupeirissa<\/center><br>\n<p style=\"font-size: 14px; color: #ffffff;\">34 &#8211; Investigating the Sound Design Process<\/p>\n<br>\n<p style=\"font-size: 14px; color: #ffffff;\">40 &#8211; From Foley Professional Practice to Sonic Interaction Design: Initial Research Conducted Within the Radio Sound Studio Project<\/p>\n<br>\n<p style=\"font-size: 14px; color: #ffffff;\">32 &#8211; Analysis of Concatenative Synthesis Techniques<\/p>\n<br>\n<p style=\"font-size: 14px; color: #ffffff;\">35 &#8211; Designing Sound Alerts for Interactions in Shops<\/p>\n<\/td>\n<td href=\"#Discussion\" style=\"background-color: #f9844a; color: #ffffff; cursor: pointer;\" rowspan=\"12\" onclick=\"location.href='#Discussion';\"><center>Panel Discussion<\/center><br><center>Rigorous Empirical Evaluation of SMC Research, moderated by Sofia Dahl<\/center><\/td>\n<\/tr>\n<tr>\n<td>14:35<\/td>\n<\/tr>\n<tr>\n<td>14:40<\/td>\n<\/tr>\n<tr>\n<td>14:45<\/td>\n<\/tr>\n<tr>\n<td>14:50<\/td>\n<\/tr>\n<tr>\n<td>14:55<\/td>\n<\/tr>\n<tr>\n<td>15:00<\/td>\n<\/tr>\n<tr>\n<td>15:05<\/td>\n<\/tr>\n<tr>\n<td>15:10<\/td>\n<\/tr>\n<tr>\n<td>15:15<\/td>\n<\/tr>\n<tr>\n<td>15:20<\/td>\n<\/tr>\n<tr>\n<td>15:25<\/td>\n<\/tr>\n<tr>\n<td>15:30<\/td>\n<td style=\"background-color: #211a52; color: #ffffff;\" rowspan=\"3\"><center>BREAK<\/center><\/td>\n<td style=\"background-color: #43aa8b; color: #ffffff;\" rowspan=\"3\"><center>Closing session<\/center><\/td>\n<\/tr>\n<tr>\n<td>15:35<\/td>\n<\/tr>\n<tr>\n<td>15:40<\/td>\n<\/tr>\n<tr>\n<td>15:45<\/td>\n<td href=\"#Session3\" style=\"background-color: #90be6d; color: #ffffff; cursor: pointer;\" rowspan=\"12\" onclick=\"location.href='#Session3';\"><center>Session 3: Music Perception &amp; Cognition, Gestural Research<\/center>\n  <center> Chair: Sofia Dahl<\/center><br>\n<p style=\"font-size: 14px; color: #ffffff;\">25 &#8211; Assessing Room Acoustic Memory using a Yes\/No and a 2-AFC Paradigm<\/p>\n<br>\n<p style=\"font-size: 14px; color: #ffffff;\">43 &#8211; Cochlea: Gamifying Ear Training for Cochlearimplant Users<\/p>\n<br>\n<p style=\"font-size: 14px; color: #ffffff;\">38 &#8211; Reflections on the Development of the Musical Gestures Toolbox for Python<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>15:50<\/td>\n<\/tr>\n<tr>\n<td>15:55<\/td>\n<\/tr>\n<tr>\n<td>16:00<\/td>\n<\/tr>\n<tr>\n<td>16:05<\/td>\n<\/tr>\n<tr>\n<td>16:10<\/td>\n<\/tr>\n<tr>\n<td>16:15<\/td>\n<\/tr>\n<tr>\n<td>16:20<\/td>\n<\/tr>\n<tr>\n<td>16:25<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n<h3 class=\"wp-block-heading\">Previous Events<\/h3>\n\n\n\n<ul class=\"wp-block-list\"><li><a href=\"https:\/\/smcsweden.se\/\">1st Nordic Sound and Music Computing conference, 2019<\/a><\/li><\/ul>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Shortcuts: Schedule, Campus Hubs The 2nd Nordic Sound and Music Conference took place online on 11-12 November 2021, and was organized by the Sound and Music Computing group at the Department of Architecture, Design and Media Technology at Aalborg University, Copenhagen. The conference is free of charge, both for submitting authors and other attendees. NordicSMC [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":391,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-349","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/nordicsmc.create.aau.dk\/index.php?rest_route=\/wp\/v2\/pages\/349","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nordicsmc.create.aau.dk\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/nordicsmc.create.aau.dk\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/nordicsmc.create.aau.dk\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/nordicsmc.create.aau.dk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=349"}],"version-history":[{"count":169,"href":"https:\/\/nordicsmc.create.aau.dk\/index.php?rest_route=\/wp\/v2\/pages\/349\/revisions"}],"predecessor-version":[{"id":626,"href":"https:\/\/nordicsmc.create.aau.dk\/index.php?rest_route=\/wp\/v2\/pages\/349\/revisions\/626"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nordicsmc.create.aau.dk\/index.php?rest_route=\/wp\/v2\/media\/391"}],"wp:attachment":[{"href":"https:\/\/nordicsmc.create.aau.dk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=349"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}